Hildreth Meiére, Hiding in Plain Sight

One of the great joys of being an enthusiast of recent art history is the rediscovery that is under way of much of the twentieth century's heritage of traditional art and architecture. There are the big, dominating figures such as Comper and Goodhue, who did not so much disappear from memory as drift to the peripheries, and there are the numerous "minor" artists, architects and craftsmen who